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“I Love My Body” is a song that is tailor-made for the Hormone Monstress, from its messaging to its aggressive vocals.
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“None of us had idea that Connie would be such a superstar. “We all created this thing together that we fell in love with,” Rudolph said. Instead she had been doing random voices - like playing a dirty motel pillow - when suddenly she found out she’d be promoted to Jessi’s Hormone Monstress. When I started doing show, I don’t think the Hormone Monstress had been created yet,” she said. “I love that it’s giving this younger generation what we never had. Rudolph is also grateful for the Hormone Monstress’ positivity on the show and in songs like “I Love My Body.” The role was an unexpected surprise for her. “In my first pass, I think I had saddlebags, and they were like, ‘No, that’s too negative.’ But I’ve yet to figure out why bat-wings is acceptable and saddlebags is not. “When I talked about with the producers, they gave me a few that I hadn’t heard of, like bat-wings,” Rivers said in an interview with IndieWire as he was working on Season 3. Maya Rudolph as the Hormone Monstress named Connie is their guide to this parade of wobbly bits and sings:įor the love letter to all of those body parts of various shapes and sizes, Rivers had to familiarize himself with the nuances of the terminology. The feminist, body-positive anthem “I Love My Body” comes about when Jessi and Missy (Jessi Klein and Jenny Slate) enter a Korean spa and are astounded by the wide range of very naked female bodies parading around without shame.
#SONG AT THE END OF BIG MOUTH S2 EP 2 SERIES#
The Netflix animated series has been lauded for promoting acceptance of all the awkward ways people mature, and the songs “I Love My Body” and “Valentine’s Day” are the epitome of showing that no one is ever alone in their experience. For composer Mark Rivers, the challenge to writing songs for “ Big Mouth” is balancing blunt language about sexuality and anatomy with the show’s tender, hopeful heart.